Oh my, the next piece—almost a year later...

[Markus]

I still really like the Pool! Laurent, I hope you're still actively working on the firmware.

https://on.soundcloud.com/4SC1jUQHHnSYJlFYpp

In this piece, the Pool played with Osmose is the only sound source.
Synthesis types used:
- Analog oscillators
- Wavetable oscillators
- Digital FM synthesis
- Analog white noise
- Analog filter combinations

The played sounds run in parallel into a MaxPatch—a kind of processor/spectral looper—which processes the recorded material at different speeds, filters it, pitches it, and, in some cases, sends it back as long glissandos. As a result, live-played material overlaps with temporally transformed fragments of the same sound material.

Post-production is an integral part of the compositional process: it involves numerous cuts and targeted sound editing, with a particular focus on the spatial layering, depth, and movement of the sounds.