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#11
Logiciels/MAJ/Softwares/Updates / Re: The River 2.60
Last post by Baloran - October 26, 2026, 11:49:18 AM
Launch the updater application and click the "Download" button.

Please note that a new version of the updater is being finalized. I uploaded the Windows version to the server this morning. The Mac version will be available later today or tomorrow.

More information here:
https://forum.baloran.com/index.php?topic=729.0
#12
Logiciels/MAJ/Softwares/Updates / Updater for The River 2026
Last post by Baloran - October 26, 2026, 11:44:14 AM
A brand-new version of The River updater is now available. It improves the reliability of the update process and compatibility with newer hardware.

The Windows version is available here:

https://baloran.com/TheRiver/TheRiverUpdater2026-2.0.0-Windows-x64.zip

The Mac version

https://baloran.com/TheRiver/TheRiverUpdater2026-macOS-Universal.zip

I'm looking forward to your feedback!


-----------------

Une toute nouvelle version de l'outil de mise à jour est disponible. Elle améliore la fiabilité de la procédure et la compatibilité avec les équipements récents.

La version Windows et disponible ici.

https://baloran.com/TheRiver/TheRiverUpdater2026-2.0.0-Windows-x64.zip

La version MAC

https://baloran.com/TheRiver/TheRiverUpdater2026-macOS-Universal.zip

J'attends vos retours avec impatience.
#13
Logiciels/MAJ/Softwares/Updates / Re: The River 2.60
Last post by Alehan - October 26, 2026, 11:41:57 AM
Where can we download it?

Thank you!
#15
Logiciels/MAJ/Softwares/Updates / The River 2.60
Last post by Baloran - October 25, 2026, 05:46:26 PM
The River – Firmware 2.60: new tuning system and Learning

Version 2.60 fixes a few issues and, above all, brings an entirely new tuning system: The River now learns how each voice drifts and builds a model of it. It then corrects this drift as well as possible while you play.

Update all three firmwares (key, card and panel) to version 2.60.

Then start the big new feature: Learning.

  • Switch The River on cold, after it has been off for several hours.
  • In the TUNE menu, select Learning and confirm.
  • The display shows "Learning / Initial tune...", then "Learning / Please wait...". In the bottom left corner, the "LEARN xx'" indicator shows the elapsed time.
  • Let the instrument warm up. Every 2 minutes it takes a few measurements (you will hear short notes).
  • The procedure usually takes 1 h to 1 h 30, 4 h at most. It stops by itself once the temperature is stable.
  • At the end, the display shows "Learning success". You're done, you won't need to do it again.

During Learning, don't touch anything ;) If you really have to stop it, select Learning again in the TUNE menu ("STOP LEARNING"). You will have to start over later.

If the display shows "Learning failed / Start it cold", the instrument was already too warm at the start. Try again the next day, from cold.

From now on, for everyday use, it's Fast Tune in the TUNE menu, or better, the keyboard shortcut (Wheel Shift + the third B key on the keyboard). You can use it as often as needed.

In a few weeks, if you feel your instrument is less in tune, I recommend running a new Learning.

Autotune All is no longer needed, but it does no harm.

Reset Autotune is unnecessary: Learning always starts from scratch.

I'm looking forward to your feedback and experiences. On my River the improvement is more than significant, and I hope it will be the same on yours.

-----------------

The River – Firmware 2.60 : nouveau système d'accord et Learning

Cette version 2.60 corrige quelques dysfonctionnements et apporte surtout un système d'accord entièrement nouveau : The River apprend maintenant comment chaque voix dérive et en construit un modèle. Il corrige ensuite au mieux cette dérive pendant que vous jouez.

Mettez à jour les trois firmwares (key, card et panel) en version 2.60.

Lancez ensuite la grande nouveauté : le Learning.

  • Allumez The River à froid, après plusieurs heures éteint.
  • Dans le menu TUNE, choisissez Learning et confirmez.
  • L'écran affiche « Learning / Initial tune... », puis « Learning / Please wait... ». En bas à gauche, le témoin « LEARN xx' » indique le temps écoulé.
  • Laissez l'instrument chauffer. Toutes les 2 minutes, il prend quelques mesures (vous entendrez de courtes notes).
  • La procédure dure en général entre 1 h et 1 h 30, 4 h au maximum. Elle s'arrête d'elle-même quand la température est stable.
  • À la fin, l'écran affiche « Learning success ». C'est terminé, vous n'aurez plus à le refaire.

Pendant le Learning, ne touchez à rien ;) Si vous devez vraiment l'interrompre, choisissez à nouveau Learning dans le menu TUNE (« STOP LEARNING »). Il faudra tout recommencer plus tard.

Si l'écran affiche « Learning failed / Start it cold », l'instrument était déjà trop chaud au départ. Recommencez le lendemain, à froid.

Au quotidien, utilisez désormais le Fast Tune du menu TUNE, ou mieux, son raccourci clavier (Shift Molette + 3ᵉ touche Si du clavier). Vous pouvez le faire aussi souvent que nécessaire.

Dans quelques semaines, si vous trouvez votre instrument moins juste, je vous recommande de refaire un Learning.

L'Autotune All n'est plus nécessaire, mais il ne fait pas de mal.

Le Reset Autotune est inutile : le Learning repart toujours de zéro.

J'attends avec impatience vos retours et vos expériences. Sur mon River, le gain est plus que significatif, j'espère qu'il en sera de même sur le vôtre.
#16
Discussion (English preferably) / A new firmware update is curre...
Last post by Baloran - October 23, 2026, 06:38:15 PM
While working on The River 2, I've been revisiting the original The River. A new firmware update may be coming soon, bringing a... significant improvement to the instrument's tuning.

More details later — I now have all the tools I need to compare the two instruments properly ;)

--

Travaillant sur The River 2, je me suis un peu replongé dans le 1. Un nouveau firmware risque d'arriver prochainement qui améliore le tune de l'instrument de façon ... significative !
Plus d'informations plus tard, là j'ai tous les outils nécessaires pour comparer les deux instruments dans de bonnes conditions ;)
#17
Discussions / Setting incoming MIDI channels
Last post by tmoravan - October 22, 2026, 08:13:17 PM
Am I missing something obvious?
If I want the Pool to only respond to MIDI channels 2,3,4,5, is there a way to set that?
I see information about setting where incoming data gets routed, but nothing about setting specific MIDI incoming channels.

It's probably there; just don't see it in the manual or on the Pool itself.

(FWIW, I'm using USB for MIDI inputs if that matters)
#18
Discussions / Re: On Individual Voice NPRN C...
Last post by Baloran - October 14, 2026, 08:56:14 AM
Hi chamwow

When you select Midi Mode on The Panel, midi Channel affect selected 1/2 Voice Card. No ?


 
#19
Firmwares updates, softwares, manuals / Linux Application
Last post by Baloran - October 13, 2026, 09:35:18 AM
Et hop, voici l'application portée sous Linux par Alexandre, un utilisateur de The 3FX, et distribuée au format AppImage ;) Merci de partager ici vos remarques et de signaler vos éventuels soucis d'installation, etc.

https://baloran.com/The3FX/Softwares/The3FX-1.0-x86_64.AppImage


And here it is: the application ported to Linux by Alexandre, a fellow The 3FX user, and distributed in AppImage format ;) Please share your feedback here and let us know about any installation issues or other problems.

https://baloran.com/The3FX/Softwares/The3FX-1.0-x86_64.AppImage
#20
Discussions / Oh my, the next piece—almost a...
Last post by Markus - October 03, 2026, 07:38:57 PM
I still really like the Pool! Laurent, I hope you're still actively working on the firmware.

https://soundcloud.com/sentimentalist-1/spektral

In this piece, the Pool played with Osmose is the only sound source.
Synthesis types used:
- Analog oscillators
- Wavetable oscillators
- Digital FM synthesis
- Analog white noise
- Analog filter combinations

The played sounds run in parallel into a MaxPatch—a kind of processor/spectral looper—which processes the recorded material at different speeds, filters it, pitches it, and, in some cases, sends it back as long glissandos. As a result, live-played material overlaps with temporally transformed fragments of the same sound material.

Post-production is an integral part of the compositional process: it involves numerous cuts and targeted sound editing, with a particular focus on the spatial layering, depth, and movement of the sounds.